Showing posts with label brain. Show all posts
Showing posts with label brain. Show all posts

Friday, November 15, 2019

Day 0441 - Broken English

Marianne Faithful "Broken English" (1979)
Okay, this was not what I was expecting.  I'd picked Faithful as a bit more of a folky sort. In fact doing a quick bit of digging I see that she got her start in folk.  I guess this is just like that time that I introduced myself to Leonard Cohen's music via his fairly synth-heavy album "I'm your man".

Faithful had been discovered by the Rolling Stones' manager, released some albums, had a relationship with Mick Jagger, was nearly cheated out songwriting royalties by the Stones, was left homeless, lost custody of her son, and ended up addicted to heroin. Coming out the other side of all that she embraced the punk scene and put together this album that combined the sneering attitude, melodic minimalism and abrasiveness of punk with the slightly cold and mechanical sound of synthesizers.

Her lyrics don't take any prisoners, particularly the closing track "why'd ya do it" rebuking a former lover, featuring lines as charming as:
"Why'd ya do it, she said, why'd you spit on my snatch?
Are we out of love now, is this just a bad patch?"
or
"every time I see your dick I see her cunt in my bed"

Thursday, November 8, 2018

Day 0069 - Freak Out

Frank Zappa and the Mother's of Invention "Freak Out" (1966) - got it


This album has hints of the sounds popular at this point of the 60s... but with a huge helping of weirdness on top.  Nowhere near the virtuosic oddball stylings the band would exhibit once Frank fired half the band and ensconced himself well and truly in the driver's seat, but still comfortably 'out there'.

There are one or two pretty solid pop songs here, a direction that Zappa would explore more completely with his doowop album "Cruisin' with Ruben and the Jets".
"Trouble every day" sound suspiciously like it is mocking Bob Dylan... wouldn't surprise me, as Zappa was making fun of EVERYBODY at this point in his career

The last couple of tracks start to investigate some weirder, musique concrete-esque territory (which, again, Zappa would explore more fully in later releases).  All in all a startling and well formed debut.