Showing posts with label bragg. Show all posts
Showing posts with label bragg. Show all posts

Monday, January 11, 2021

Day 0863 - Mermaid Avenue

Billy Bragg & Wilco “Mermaid Avenue” (1998)


Woody Guthrie’s daughter Nora was looking for someone to put music to a collection of her father’s unreleased lyrics.  After hearing Bragg playing at a Guthrie tribute concert, she contacted him about the project.  Bragg in turn contacted Wilco to help him with the songs and to arrange some themselves.

Bragg and Wilco have both already featured in this list, and the project ‘on paper’ interested me, so I was keen to check this out.

It exceeded my expectations, with a sound that brings to my mind Ween’s country moments.  Interesting lyrics backed with a mix of old timey Americana, and more modern alt-country and bouncy Beatles-esque melodic and arrangement sensibilities (“Another Man’s Done Gone” almost sounds like a McCartney-esque piano ballad).

There’s the rootin’ tootin’ opener “Walt Whitman’s Niece”, the intimate acoustic guitar and voice of “Ingrid Bergman” and “I Guess I Planted” has hints of Elvis Costello circa “My Aim is True”.

My favourite though is “Way Over Yonder in a Minor Key” which features backing vocals from Natalie Merchant and is frankly just a beautiful song.

Two more collections of songs would eventually be produced by Bragg and Wilco under the Mermaid Avenue name.

Thursday, March 26, 2020

Day 0571 - Talking With the Taxman About Poetry

Billy Bragg "Talking With the Taxman About Poetry" (1986)


The book talks about Bragg's ability to find the personal in politics and the political in the personal.  As is often the case, I didn't really pay much attention to the lyrics so I didn't really pick up on that so much, but I did enjoy the album musically.

Bragg's reverb drenched guitar manages to accentuate a variety of styles, from rockabilly, folk, pop and country.  I didn't even realise the first time I listened to the album, but there's little-to-no drumming in it, and the songs don't suffer at all as a result.  One or two tracks have limited percussion but that's it.

The album also features contributions from the Smiths' Johnny Marr, and Kirsty MacColl (of 'fairytale of New York' fame.