k.d. lang "Shadowland" (1988)
Lang's previous work with the Reclines had raised eyebrows and left a
few country fans unsure of what to make of its mix of styles occasional sense of
humour, and Lang's own androgynous style. Luckily it also attracted the
attention of Patsy Cline's long-time producer Owen Bradley. Bradley
came out of retirement to take Lang under his wing and help her fashion
her first solo album.
The album is still not a straight country album, "Busy being blue" lives
up to its name. "Black Coffee" also has a kind of jazzy blues to it.
There's the beautiful string-laden country of "Tears don't care who cries them" which recalls Roy Orbison (who Lang has also worked with).
Tracks like "Lock, stock and teardrops", "Sugar Moon" and "(Waltz me) once again around the dancefloor" though have a pleasingly
straight-ahead honky tonk country sound to them.
Showing posts with label bradley. Show all posts
Showing posts with label bradley. Show all posts
Friday, May 22, 2020
Saturday, December 14, 2019
Day 0470 - Hypnotised
The Undertones "Hypnotised" (1980)
I wasn't really too fussed on the previous Undertones album on this list; it was kind of fairly nondescript punk with a little extra melody thrown in.
This one is more of the same but with the punk dialled down a little and the pop/melody turned up slightly, and yet it seems so much better (to my ears). Maybe they reached the punk/melody 'bliss point' or were on a bit of a roll songwriting-wise... who knows?
Again it's not one that I'm really planning on revisiting, but it's more enjoyable and a lot of the songs just seem 'familiar'. I kind of feel like they could potentially have been an early influence on Blur (of whom I am a fan), going by the similarities in sound.
I wasn't really too fussed on the previous Undertones album on this list; it was kind of fairly nondescript punk with a little extra melody thrown in.
This one is more of the same but with the punk dialled down a little and the pop/melody turned up slightly, and yet it seems so much better (to my ears). Maybe they reached the punk/melody 'bliss point' or were on a bit of a roll songwriting-wise... who knows?
Again it's not one that I'm really planning on revisiting, but it's more enjoyable and a lot of the songs just seem 'familiar'. I kind of feel like they could potentially have been an early influence on Blur (of whom I am a fan), going by the similarities in sound.
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