Showing posts with label belew. Show all posts
Showing posts with label belew. Show all posts

Friday, October 23, 2020

Day 0783 - The Downward Spiral

Nine Inch Nails "The Downward Spiral" (1994) - got it

 

This was the first of these albums for a while that I've listened to on headphones (aside the ones I listen to while walking).  Most of them I just have going through my laptop speakers.   Trent Reznor knows his way around a studio and it seemed only right to get the full experience of his production.  He was also well ahead of the curve as far as working electronic elements into rock music.  
 

I've always thought it's a shame that more bands didn't explore that combination of hard rock and electronica.   The Spawn Soundtrack in 1997 had one or two great tracks in that vein.


Anyway, back to NIN.  This album was famously recorded in the house where Charles Manson's followers had killed Sharon Tate.   Messages in Tate's blood were still present in the house, so kind of a grim vibe to record in... this probably worked in the album's favour though as its' a confronting, angsty and grim collection of tracks.  The album was supposed to be a concept of sorts, centring around a character who has been destroyed physically and emotionally and is busy self-medicating with various substances.

The slow grooves of "Closer" and "Piggy (Nothing can stop me now)"  contrast sharply from the frantic and overwhelming full throttle of "Mr Self Destruct" and "March of the Pigs".   The whole thing wraps up with a penultimate track that slowly dissolves into the almost delicate "Hurt", later famously covered by Johnny Cash.

Monday, January 6, 2020

Day 0493 - Tom Tom Club

Tom Tom Club "Tom Tom Club" (1981)


Tina Weymouth and Chris Franz showing that David Byrne wasn't the only member of Talking Heads who could follow his artistic muse outside of the 'home' band.

The couple had been hanging out with famed reggae rhythm section Sly and Robbie and enlisted reggae legend Lee Scratch Perry to produce the album... but he never showed  up, so they did it themselves.

With the songs, built on rhythmic grooves, throwing different genres at the wall to see what sticks, messing around with  synthesisers and choirs, they generally took an "anyone can get involved" ideology.  Perhaps this was them kicking against the restraints of David Byrne this could be seen as something of a precursor to the first Gorillaz album (which the Tom Toms were apparently also involved with).   The album also features multi-instrumentalist Adrian Belew who has recorded with King Crimson, David Bowie, Frank Zappa, Cyndi Lauper and a range of others.

This is an important album for the burgeoning rap scene as well, the  TTC grooves being sampled by artists ranging from Tupac, Grandmaster Flash, Puffy Daddily Diddily, Mariah Carey and others.

Tina Weymouth's rapping "Wordy Rappinghood" seems like somehow childlike, but also fun.