Aimee Mann "Whatever" (1993)
Aimee had been bassist and vocalist for the band Til Tuesday, who had a
successful Mann-penned single "Voices Carry". The band broke up and Mann pursued her solo career.
This is Aimee's first solo album and it's brilliant for a couple of
reasons. First and foremost, Mann is an amazing songwriter. She's
another of those rare songwriters whose lyrics actually made me stop and
take notice, she has real way with words. The ballad "I know there's a word" is brilliant and affecting while still being tastefully
opaque.
The other reason is that Mann enlisted the help of Til Tuesday touring
member and multi-instrumentalist Jon Brion, who would go on to produce
my favourite Fiona Apple album as well as albums by such adventurous
souls as the Eels, David Byrne, and Rufus Wainright.
The music has a bit of a country lilt to it, maybe a hint of Fleetwood
Mac's Rumours, and then (possibly courtesy of Brion) a subtle
theatricality in places.
I thoroughly enjoyed this. It's almost the opposite to a lot of albums,
in that rather than being a bit front-loaded, it gets better the further into the tracklist you go so that you end on a high note, ready to revisit the
songs.
Showing posts with label anything. Show all posts
Showing posts with label anything. Show all posts
Friday, September 11, 2020
Thursday, May 14, 2020
Day 0620 - 16 Lovers Lane
The Go-Betweens "16 Lovers Lane" (1988)
Referred to in some quarters as 'the Indie "Rumours"' because romantic relationships within the band were ending (singer/songwriter Robert Forster and drummer Lindy Morrison) and just taking off (singer/songwriter Grant McLennan and violinist Amanda Brown). In amongst this changing and potentially volatile dynamic, their bass-player had also left and been replaced.
The album reflects that landscape, with a mix of upbeat pop songs and dole-drum laments. The band broke up following this album (but reformed several years later). The songs aren't terrible, but honestly, I listened to the album about 4 times in a row, and aside from vaguely recognising one or two songs when they came back around, it mostly just didn't feel like any of it was memorable enough to stick with me.
Referred to in some quarters as 'the Indie "Rumours"' because romantic relationships within the band were ending (singer/songwriter Robert Forster and drummer Lindy Morrison) and just taking off (singer/songwriter Grant McLennan and violinist Amanda Brown). In amongst this changing and potentially volatile dynamic, their bass-player had also left and been replaced.
The album reflects that landscape, with a mix of upbeat pop songs and dole-drum laments. The band broke up following this album (but reformed several years later). The songs aren't terrible, but honestly, I listened to the album about 4 times in a row, and aside from vaguely recognising one or two songs when they came back around, it mostly just didn't feel like any of it was memorable enough to stick with me.
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