Paul Simon "Hearts and Bones" (1983)
Following a decline in his popularity as a solo artist, Simon reunited
with Garfunkel for some successful shows. The two of them started
working on a new S&G album, but all the old arguments flared up and
they broke up again. Paul chucked Art's songs and worked some of his into a
new solo album.
At the time of its release, this album didn't fare much better
commercially than his recent releases, though it seems to have been
reassessed with hindsight. To me it shows hints of his next (much more
successful) solo album Graceland, in that it has a good bit of groove to
it and the quite '80s' sounding production. In places, the synth laden
grooves even sound a bit like that good 70s era Stevie Wonder.
It's a
bit of a mixed bag, and I'd argue that the more straight-ahead mellow
tracks are still his strength, such as the sombre "the late great Johnny
Ace", his tribute to John Lennon. That being said, the peppy "Cars are cars" is a fun little song, regardless of its slightly so-so lyrics.
Showing posts with label ace. Show all posts
Showing posts with label ace. Show all posts
Friday, February 7, 2020
Thursday, December 26, 2019
Day 0482 - No Sleep 'til Hammersmith
Motörhead "No Sleep 'til Hammersmith" (1981)
A pretty solid live album. I've said it before, I'm not the biggest fan of live albums. This one works though, given that their albums are pretty down and dirty and lacking studio 'sheen' so this is just a raw representation of what they do, with the extra sweat and intensity of it being laid out live, and maybe a little faster.
The Motörhead ethos is clearly spelt out with the liner notes which include the dedication
A pretty solid live album. I've said it before, I'm not the biggest fan of live albums. This one works though, given that their albums are pretty down and dirty and lacking studio 'sheen' so this is just a raw representation of what they do, with the extra sweat and intensity of it being laid out live, and maybe a little faster.
The Motörhead ethos is clearly spelt out with the liner notes which include the dedication
"Thanks to Smirnoff and Carlsberg without whom lots of this would have been coherent."
Thursday, August 22, 2019
Day 0356 - Destroyer
Kiss "Destroyer" (1976)
Following on the heels of the success of "Kiss Alive!" is Kiss's 4th studio album "Destroyer". Producer Bob Ezrin (Loud Reed, Alice Cooper) encouraged the band to stretch their wings almost to the extent that they wander into the realms of caricature.
I was quite surprised to hear how much variety there was here. I thought Kiss were much more straightforward rockers who eventually became a bit more power-ballady, but there's clearly already a bit of that and some straight up ballads.
'Great expectations' is an epic track with it's glam swagger and ethereal choir.
Fun fact, this was the first Kiss album to chart in New Zealand - so I guess it's appropriate that it's the first one that I've listened to in its entirety.
Following on the heels of the success of "Kiss Alive!" is Kiss's 4th studio album "Destroyer". Producer Bob Ezrin (Loud Reed, Alice Cooper) encouraged the band to stretch their wings almost to the extent that they wander into the realms of caricature.
I was quite surprised to hear how much variety there was here. I thought Kiss were much more straightforward rockers who eventually became a bit more power-ballady, but there's clearly already a bit of that and some straight up ballads.
'Great expectations' is an epic track with it's glam swagger and ethereal choir.
Fun fact, this was the first Kiss album to chart in New Zealand - so I guess it's appropriate that it's the first one that I've listened to in its entirety.
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