The Flaming Lips “Yoshimi Battles the Pink Robots” (2002) – got it
A continuation of the brilliantly trippy pop sound of 1999’s “The Soft
Bulletin” (see day 890). I could see that it would be easy enough with this album to
make comparisons to the Beatles, what with it being a spacey
baroque pop. To my ears though, it sounds more like ‘psychedelic Bacharach’
with its clash of laid-back, beautiful melodies with crazy sounds. This
dichotomy between the weird and the traditional is probably best
exemplified by Parts one
and two of the title track. The first of which is an earnest acoustic
ballad with trippy trappings, the second of which is a proggy noise-fest
punctuated with human screams.
On the face of it, this seems as though it’s a concept album, with its
sci-fi overtones, the two-part title track and the continued references
to robots and fights. Singer Wayne Coyne though has refuted the idea,
so it seems like there are just some similar lyrical ideas. The opening
track was deemed to be a bit close to Cat Stevens’ “Father and Son” so
he was given a writing credit. The lyrics of that song (“Fight Test”)
seem to turn against pacifism and state the need to fight. I remember
some people at the time opining that this was a reference to 9/11… I
personally don’t think so, but if anyone was going to recast Al Qaeda as
pink robots then I guess it’d be the Flaming Lips.
Many of the other songs follow the vibe of the “Soft Bulletin” looking
at such elemental ideas as love, life, death, loneliness but never in a
cynical, nihilistic way. Certainly, the spacey, ecstatic ballad "Do You Realise" has to be one of the most beautiful and positive musings on death ever committed to record.
One thing I like about this album is that if you stripped most of these
songs down to just acoustic guitar with bass and drums, they’d still be
good songs. The washes of sound, the bleeps and bloops, the sonic
manipulation are all just icing (pink icing if you will) on the Lips’
cake.
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